Olympus firmly took hold of the premium cameras, and in her arsenal is not only the flagship OM-D E-M1, but even CD Stylus 1. Course, a premium lineup could consist of only two MILC and compact, so the market was withdrawn camera Olympus OM-D E-M10, which combines functionality and modest size flagship Stylus 1.
A collection of letters in the name of premium line of mirrorless cameras, Olympus initially made literally break the language. But first model family was presented back in 2012, so now the name has already managed to get used to. The line is not updated avalanche, but gradually, and now a series of OM-D consists of three devices – the firstborn E-M5, very interesting flagship E-M1 and test new items – “fiscal” E-M10.
In its price segment E-M10 is a rather interesting product – and it’s not in the design. This device with a rather modest size with sloped touch screen, a decent set of controls, as well as a very decent viewfinder.
Most competitors at least one of something it is not. Panasonic DMC-G6 size larger, and is made in the style of SLR camera, at Fujifilm X-M1 does not provide touch control, and no viewfinder, while the baby Panasonic DMC-GM1 less government – and also no viewfinder.
It should be noted that often the viewfinder is set to more expensive models. In fact, a direct competitor in the device under test, only one – it’s Sony Alpha α6000 (ILCE-6000), and he is unable to touch. But at the Olympus OM-D E-M10 in stock and many other trumps!
Specifications of Olympus OM-D E-M10 claimed by the manufacturer
|Olympus OM-D E-M10|
|Image sensor||4/3 “MOS, 17,3 x13, 0 mm, 17.2 MP|
|Effective amount of points, MP||16|
|Storage format images||Photo: JPEG (EXIF 2.2, DCF 2.0), RAW 12 bit, MPO
Video: MOV (MPEG-4AVC/H.264), AVI (Motion JPEG)
|Lens||Interchangeable lens micro 4/3|
|Frame size in pixels||Photo: 4608×3456, 3200×2400, 1280×960
Video: 1920×1080, 1280×720, 640×480
|Sensitivity, units in ISO-equivalent||100-25600 in increments of 1/3, 1 EV|
|Shutter speed range, seconds||1/4000-60 increments of 1/3, 1/2 and 1 EV
Synchronize the shutter speed for flash: 1/250
|Metering, modes||Measurements in 324 zones; multi, spot, center-weighted, shadow, light zone|
|Compensation||± 5 EV in 1/3 steps|
|Built-in flash||TTL, GN 8,2 at ISO 200|
||1-30 seconds (up to 10 exposures)|
|Storage device||SD, SDHC, SDXC(UHS-I)|
|LCD||Inclined, touchscreen, 7.6 cm (3.0 inches), resolution 1037 thousand points|
|Viewfinder||Color viewfinder with a resolution of approx. 1440 thousand points|
|Interfaces||HDMI, USB, A / V-output|
|Power||Lithium-ion battery BLS-5, 7.8 Wh|
|Dimensions, mm||119,1 x82, 3×45, 9 (excluding protrusions)|
|Weight, g||396 (including battery and memory card)
350 (body only)
|Price (body only):||$620 [easyazon_cta add_to_cart=”default” align=”none” asin=”B00HPQ09GM” cloaking=”default” height=”28″ key=”small-orange” localization=”default” locale=”US” nofollow=”default” new_window=”default” tag=”gadgethelp-20″ width=”120″]|
We tested came pre-sample, although the commercial version of the firmware. So with the camera we got a battery, charger and kit lens. Same commercial samples include the following:
- battery BLS-5;
- charger BCS-5;
- body Cap Micro 4/3 BC-2;
- napleny belt;
- usb-cable CB-USB6;
- software Olympus Viewer;
- warranty card.
Olympus OM-D E-M10 comes in both versions of Body, that is, without optics and lens M.ZUIKO DIGITAL 14-42mm 1:3.5-5.6 II R, both in silver and in black. The lens is equipped with motorized drive zoom, but this is not the most interesting – such decisions are now not so little.
Much more interesting design of the outer lens protection in the transport position. Instead of the classic cover here uses two Two-segment curtain that open at power. Cap is screwed onto the threaded mount standard accessories (diameter 37 mm). If you want to use filters, worth buying even cover normal because as a complete installation on the filter will always be in the open position. Benefit price of a cheap aftermarket cover.
Appearance and usability
In the exterior of the camera is hard to miss the retro theme. However, the entire line was originally designed with an eye to the fans of old cameras. E-M10 looks great – if you do not look closely, the distance it can be confused with the leader.
The device comes in two colors – silver and black. In the first case, because of the large black rubber pads in front of the camera rather bicolor. We also went completely black modification. The body is made of magnesium alloy, and the build quality is above all praise. When attempting to twisting and squeezing magnesium case, of course, can not be a single drop.
Tested device is not so lightly, as reported by press releases. For example, actually weighs the same camera Panasonic Lumix DMC-G6, which is equipped with impressive grip and generally tends to appear SLR. At OM-D E-M10 – unlike the flagship – the handle itself is not: there is only a small ledge.
Nevertheless, enough to hold the camera comfortably thanks to a huge rubberized ledge at the back of. Indeed, it is on the thumb and has the largest load – after the cameras with large knob has to get used to. And for those users who do not wish to get used to, or use hefty lenses, provides optional removable handle (ECG-1). It prevents access to the memory card, but thanks to the integrated Wi-Fi module is not so scary.
On front, in addition to the lens mount, noticeable only AF assist lamp, which is also used as an indicator of the sleep timer shutter. Behind most of the surface takes a swivel display, above which is a digital viewfinder and key mechanical lock lift flash.
Right of the display is quite a lot of different buttons – key switching to view mode and Fn1 (programmable), enter the main menu, change the information display mode, delete, four navigation keys, united in ring schematic, enlarged the enter button in the center.
Also on the right side rear panel are the system speaker and power lever. By the way, exactly the same power lever unusual accommodation and E-M5, whereas the flagship it is installed on the top panel.
Below is just a standard tripod mount connector and the plastic cover that hides the battery compartment and memory card. It is worth noting that in the case of kindred E-M5 and E-M1 memory card has separate compartments on the side surface, but competitors such chips still have no one other chamber.
The upper part of the most loaded camera. Centered is lifting flash with “hot shoe” at the bottom and a pair of microphones on the sides. To the left of the mode dial is set, and the right – two control dial, one of which is supplemented trigger button in the middle. Rounding out the picture and video button Fn2 (programmable).
The left side surface is empty, and the right is a rubber plug connectors are hidden under which USB/AV- connection and HDMI-cable. On the right side of the viewfinder is the key manually switch between the viewfinder and display.
Screen, viewfinder and interface
As already noted, among cameras similar form factor and cost competitors to the viewfinder … one whole, namely Sony ILCE-6000. Catches the eye with one difference: in Sony Alpha α6000 viewfinder is in the upper left corner, and the hero of the material – in the center, but still on a small pedestal.
In the case of Sony Aplpha α6000 manufacturer went on ways to minimize the size, and therefore the rubber eyecup from the camera is quite small and not very comfortable (lateral illumination distracts from the viewfinder image on the matrix), whereas in the OM-D E-M10 emphasis on convenience and rubber eyecup large, comfortable and also removable.
Of the shortcomings can be noted that unless too hard rubber, which is made from the eyecup, and a slight delay – about half a second – for automatic switching between the display and the viewfinder. Resolution matrices viewfinders Olympus OM-D E-M10 and Sony ILCE-6000 the same – 1.44 million pixels, which is approximately one million points less than the flagship MILC.
In principle, and this is more than enough for comfortable work – individual points in the image is very difficult to notice. But the quality of color and contrast, and did not reproach.
The camera is equipped with a touch screen tilt with two degrees of freedom and resolution 1037 thousand points, while its main competitor is slightly smaller display resolution – 921k-dot, and no support for touch input.
Viewing angles of LCD matrix huge, so use the opportunity to tilt falls rarely. Supply of brightness is quite large, but even with solar illumination image is easy to read on the average brightness level. Despite the lack of visible anti-reflective spray, glare quite annoying.
Moreover, the color traditionally displayed very well, of course, only if the white balance is set to true. Display protection is extremely reliable, besides, she is not afraid of small scratches and scuffs.
As already mentioned, the display is touch-sensitive, which means the ability to control settings using the virtual keys. However, in the case of Olympus camera touch screen is actually used only to select the focus area, working with a small pop-up menu in the automatic mode, as well as scrolling and zooming images in playback mode.
By the way, multiple touch mode is not supported image scaling is implemented by calling the slider control. No quick menu, let alone the main menu on the touch to the display does not react at all. For years, it has to complain, and some progress towards improvement is not.
Here in the example is to put the Panasonic with their intuitive hybrid operation, which continues to progress quite rapidly. However, its main competitor in the face of Sony ILCE-6000 touch screen is not at all, but still a shame that the OM-D E-M10 opportunities available sensitive screen is not fully utilized.
The graphical user interface is different from the same menu E-M1 except that some settings, but otherwise they – like twins. Interface consists of a main menu and fast, as well as pop-up menu available mode iAUTO (change the brightness, saturation, hue, intensity selection intensity and background blur motion read: aging). Animation a little, in addition all of it fast and smooth, so it is not distracting and annoying.
Traditionally Olympus various chips smaller than the competition from Sony, but still they are. To begin with it is worth noting the function of shooting HDR. Mode is very advanced, so setting it quite a lot. Classical HDR-shot includes two modes.
In both automatic bonding occurs immediately four frames, but in the former case, a high, and in the second – the so-called ultra-high contrast. Actually differs only aggressiveness functions, resulting in greater exposure step. In these modes can not use format RAW.
In addition, a mode shooting HDR without glue – with the ability to record individual frames in RAW. Of course, the question arises: What, then, like HDR mode differs from ordinary exposure bracketing? The answer is simple – step exposure.
In this mode, the camera can take 3, 5 or 7 frames in steps 2 EV, as well as 3 or 5 frames in steps 3 EV. In general, for those who are friends with specialized processing packages, it’s a real gift, because bracketed exposure 5fps maximum step does not exceed 1 EV, and at 7 – 0,7 EV.
However, and this reserve bracketed extremely rare. Below is an example in the normal shooting mode, as well as in the mode of HDR (7 frames in steps 2 EV), fused with the default settings in the graphics package Adobe Photoshop CC. In both cases, use the software without manual correction mode.
Also includes an option for a multiple exposure, but a special wealth of settings it can not boast – in fact of the features can be noted the possibility of imposing an existing memory card frame. Much more interesting function Time Lapse – I mean sequential shooting with a given time interval.
The camera is capable of doing 999 frames with a delay of 1 second to 24 hours, also to be delayed start shooting from 1 second to 24 hours. In addition, all captured footage after shooting may be combined into a movie, with pictures on the memory card will be saved.
In general, the mode of small flaws can be noted not particularly successful specify the start time of shooting. For example, in the Nikon cameras with this feature provides the ability to specify a specific start time shooting Time Lapse, which is much more convenient.
Traditionally Series OM-D mode is provided a compound of multiple images into one preset pattern, and with the possibility of applying one of the effects of so-called regime of ART. Number of treatments options ART regime is the same as in series cameras PEN, – plus their dozen mode ART BKT, when activated which image is processed by all 12 filters, of course, with the separate conservation results.
Also of note features may be biaxial level indicator, which can be displayed on the display or in the viewfinder. Of course, there is the face detection mode. As determined solely by the person or persons portraits, the camera keeps them pretty tenacious.
But in terms of advanced features like face detection mode was simple, and was – there is no possibility of creating a list of elected officials with the name / age or blink detection mode or the automatic shutter when a smile on his face. Here, of course, a competitor of Sony’s great camera bypasses the test
Wi-Fi module in a modern way simply be obliged, even if a user has this feature and not particularly important, because most competitors it is. Unlike cameras Sony or Panasonic, and Samsung, equipped with this module, are testing the camera is not able to forward the material without a PC or smartphone in social networks, or send an e-mail.
Actually are only two functions – the sending of the footage on the smartphone, as well as control the camera from your smartphone using the program Olympus Image Share. This program can not only download the data to your smartphone or tablet and remotely control the camera, but also to add to the pictures geotagged.
Approach is very interesting, because often the user has not cheap smartphone camera, so it makes no sense to integrate into another camera GPS-module, which is not the holy spirit nourished. Of course, such a record is not so convenient geotagging, as in the case of built-in, but it reduces the price of the device and power consumption.
Shooting and work experience
Firstborn line OM-D in terms of the rate of incorporation helpful though not the most nimble, but still quite fast – the first shot can be done within 0.36 seconds after powering on. Flagman much slower – Focus begins only after 1.32 seconds after powering on.
E-M10, as well as the flagship E-M1, comes with a lens with motorized drive zoom. However, the novelty is made lens in a compact body, so when you turn it requires additional time to translate from transport to working position.
[easyazon_block add_to_cart=”default” align=”right” asin=”B00K1LUN1Y” cloaking=”default” layout=”top” localization=”default” locale=”US” nofollow=”default” new_window=”default” tag=”gadgethelp-20″]Nevertheless, the camera was even smarter than the older camera – it is able to take the first frame by 0.77 seconds. When using lenses without motorized drive zoom winning small – 0.62 seconds. Overall, not too fast – only slower MILC Fujifilm.
By the way, the rate of change of the focal length is adjustable, and separately for photos and videos. At the slowest speed the entire focal length range overlaps traversed in 3.5 seconds, on average mode – for 2.1, and in the most rapidly – in just 1.1 seconds.
Burst speed test camera is 8 frames per second, which is decent, but not a record. For example, the main competitor in the face of Sony ILCE-6000 series is able to shoot at 11 frames per second. For comparison, the flagship of the family, OM-D E-M1, is able to shoot a series of rate of 10 frames per second.
However, it is important not only the speed of the series, but also its duration. Measuring the speed and duration of the series was held in three modes: as a JPEG with the least compression format RAW, RAW + JPEG with the least compression.
For all formats, it was found the highest available resolution. Focus was transferred to the manual mode, the shutter speed is 1/1000 seconds, and a variety of software processing disabled. To minimize the influence of various external factors has been selected from the fastest memory card available, – SanDisk Extreme Pro Class 10 UHS-I with a claimed write speed up to 90 MB / s.
In RAW + JPEG format camera was able to capture 11 frames in a format RAW – 14 and 14 are the same when recording in JPEG, which is quite modest, even for the more affordable “mirrorless” cameras. At half speed Burst E-M10 is capable of capturing a series of JPEG files up to the memory card, but in RAW + JPEG format must be content with a series of 14 shots, and just in the RAW series turns not so long – 21 frames.
For comparison, Olympus OM-D E-M1 in the same conditions but at a speed of 10 frames per second was able to capture a series lasting 40 (JPEG), 35 (RAW) and 33 (RAW + JPEG).
Velocity is measured by focusing conducted in good light (1000 lux at the checkpoint in the center of the template), as the object still life guidance used test used in the evaluation of the noise level, the focus is on the central zone, before each measurement camera zooms to infinity, pictures are taken from a distance 50 cm at wide-angle and telephoto 100 cm.
When you create a complete lens, much attention was paid to compactness, so subconsciously good results from it, we did not expect, especially in press releases and other promotional materials for special emphasis on speed was not. However, E-M10 could surprise us, and very strongly, because the wide angle to focus on the subject spent not more than 0.08 seconds, and the best result – just 0.05 seconds.
In general, the manufacturer is not in vain blows about it at every corner. In telephoto focus also quite nimble – only 0.21 seconds. For comparison, the flagship equipped lens M.ZUIKO DIGITAL ED 12-50mm 1:3.5-6.3 EZ, able to focus in the same conditions for 0.1 seconds at wide-angle and telephoto 0.28 seconds.
In low light focusing speed is practically unchanged, but when shooting in twilight (5 lx or less), it significantly decreases. As our tests, the camera without illumination able to focus on the test pattern, used in evaluating the noise level at the illumination up to 0.7 lux. Of course, this is not a record, but still very good.
Focus area selection can be done either automatically or manually – 35 and 81 zones (covering the entire frame 7h5/9h9 zones) or unit in 9 zones (3×3 Standard time zone) with the ability to select the location of the block in the frame.
Of course, it is possible to select the zone as using the arrow keys, or using the touch screen. By the way, possibly activating the touch shutter function, which is quite handy when manually select the zone and shoot as fast as necessary to make.
Autofocus works in the following modes: single, continuous, single with manual adjustment, as well as tracking mode. The most interesting is the last. Many manufacturers have long been trying to create a full tracking mode, but so far, most implementations is good only for keeping the focus on objects contrasting background, the best models are able to hold on a contrasting background, even quickly and chaotically moving object.
Actually, the automatic hero material such. Yet the lack of available – for regime has to hold the shutter button halfway down, which is very inconvenient if the object has to watch for a long time.
In manual mode, the focusing distance scale is provided with a prompt, which at first a bit lacking. However it is not done without assistants. First, the possibility of increasing the focus area 5, 7, 10 and 14 times, which is more than enough for the correct adjustment.
Also available is the backlight zones of field, or “picking”, but unlike Sony ILCE-6000, at OM-D E-M10 mode setting modest – you can choose only one of the two illumination colors (black and white), then as a competitor has three choices and the same options activity functions.
However, even with the available arsenal settings “picking” helps a lot, but only more or less sufficient light, but in low light, this function is practically useless.
The camera supports all modes of installation ekspopary ie PASM. In addition to the usual center-weighted, spot and multi-zone metering mode, available modes “shadow zone” and the “zone of light.” The first of them is useful, for example when shooting heavily shaded objects backlit.
But for the “light zone” specialized task quite difficult to find, in fact, where it may be necessary to cope quite well ekksopzamera classic modes. It is notable that for the classical mode provides separate correction step introduction sixth stage in the range -1 … +1 EV.
Unfortunately, this feature is not integrated into the metering mode selection menu, and hidden deep in your user preferences. Exposure compensation is available in a pretty wide range – from -5 to +5 EV in increments of 1, 1/2 and 1/3 stops, but the scale of exposure is scaled only in the range of -3 … +3 EV, and the introduction of greater compensation have to rely solely on the digital display.
Also provides shooting with Auto Bracket 2, 3 and 5 frames in 0.3, 0.7 and 1 degree, and 7 frames in 0.3 or 0.7 degrees. In general, in terms of wealth bracketing settings are testing the camera is not inferior to the older E-M1 and significantly surpasses all competitors.
Also older brother took over the function of the novelty of the brightness control of light and dark areas. Changing the brightness of shadows made using additional disk management, and light areas – using the main. Total available 14 values for highlights and shadows.
During setup, the screen displays the brightness histogram correction, whereby the correction process resembles the work of a graphic package. Of course, this process can be done on a tablet or PC, but still function very convenient and useful.
It should be noted that the same function with a similar implementation is available in “mirrorlessh” Panasonic. In general, under natural light E-M10 quite correctly sets the exposure and only in difficult conditions, such as having a frame areas with large difference in brightness, it is necessary to resort to a rich arsenal of options.
But here is artificial lighting, as in the case of the flagship camera, E-M10 is given hard. Under laboratory conditions, using fluorescent lamps error reaches -0,3 EV, and under incandescent lighting does -0,35 EV. Under similar conditions, E-M1 error is -0,35 EV and -0,37 EV respectively.
White balance settings are the same as in the flagship model. There are 7 presets: sunny, cloudy, shade, incandescent, one preset fluorescent lighting, underwater mode and flash. In addition, a mode specifying color temperature of the light source in the range of 2 000 to 14 000 K.
In manual mode available 4 containers to store the settings in different light. Of course, there is also automatic. In any mode provides fine adjustment scale AB / GM (± 6 positions), but from the quick menu is not available. Is almost a standard for Olympus camera is the function of preserving warm colors.
In general, automatic white balance works quite well – in natural light. Relatively well – under incandescent lighting, the use of which in the case of other cameras often leads to huge errors. A little surprised at the behavior of automatic fluorescent light – slips have been very significant, while most competitors automatically determine the white balance with a similar lighting cope effortlessly.
Built-in flash is pretty low-power – the guide number at ISO 200 only 8.2, but has a “hot shoe”. Modes are available: Fill, fill to the suppression effect of “red eye”, Slow sync and slow sync with the effect of “red eye”, as well as rear-curtain sync.
Provided as TTL mode with the introduction of compensation in the range of -3 … +3 EV in increments of a third stage, and manual mode with optional divider from 1/1, 3 to 1/64. It is also noteworthy that in the settings is possible to specify the upper and lower threshold speed synchronization.
Upper controlled within 1/250 … 1/60 seconds, and the lower – 1/60 … 30 seconds. Built-in flash charging time depends little on battery power, as well as the duration of a series of sequential shots with flash. Average charging capacitors requires 2.9 seconds.
In the settings provided wireless mode control in three groups (with separate control of built-in) on four channels. For each group can be a separate setting and work in both TTL, and manual. In this manual correction is possible within -5 … +5 EV in increments of a third stage, and the divider can be set to up to 1/128.
The following are examples taken from the built-in flash working in TTL mode with compensation ranging from -3 to 3 in increments of 1 degree.
Even before the test can be safely stated that in movie mode test great camera behind its main competitor, because Sony ILCE-6000 supports the format of AVCHD, and when recording Full HD-able to shoot at 50i and even 50p, whereas Olympus OM-D E-M10 is limited regime 30p.
But the video settings are more than enough – you can control focus mode, white balance and sensitivity, the mode of the metering, exposure compensation to introduce and tune parameters ekspopary modes PASM. That’s just all this can be done only before recording a video, and during the recording functions are unavailable.
The audio settings is also not empty. Provides volume control records (20 items), but the level indicator is displayed only during setup – during video recording is not available. In addition, you can activate the software wind noise suppression, and provides three levels of activity functions.
During movie recording, can work as an optical triaxial stabilizer and autofocus. Last behaves quite accurate and not very intrusive, and when shooting both static and moving objects with multiple simultaneous zooming.
We should also mention the function of creating a full resolution photo during video recording. There are two parallel mode shooting, and in both there are no restrictions on the number of pictures taken. In the first – if, during the movie, press the shutter – the camera simply interrupts the video, creates a snapshot and resume the video.
In principle, this approach is used and some of its competitors. But the trouble is that when you press the shutter automatics it stops recording the video, but does not stop it, and after the photo shoot video already writes a new file.
In the end, after taking several snapshots during video recording on a memory card is a few pictures and a few videos that are not too comfortable. However, as already mentioned, there is no limitation on the number of frames or the image resolution.
In the second mode photographing conducted without interrupting the video, but the resolution is limited to images 3200h1800 points. In principle, it is not so little. Speed sequential shooting here depends solely on the speed of the memory card, using SanDisk Extreme Pro Class 10 UHS-I with a claimed write speed up to 90 MB / s write speed photographs is so high that only manage to press the shutter button.
Power supplies and battery life
Battery hero material is not so large by the standards of “mirrorless” – 7, 8 Wh nonetheless manufacturer states that the camera can shoot at 320 frames per charge when testing standard CIPA, which is the average score of the class.
But here it should be noted that the main competitor when tested to the same standard can do more than 100 frames, and it is a very significant margin. In practice, the Olympus OM-D E-M10 could shoot a 3 minute video and 458 personnel, of which 50 were done with flash and 105 – in the fast mode series.
In general, the result is quite good. Battery level indicator only 3-segment. And then again begs comparison with Sony ILCE-6000, wherein the indicator displays the remaining battery level to within 1%. Nevertheless, and Olympus OM-D E-M10 he proved quite accurate, although with a major competitor in this respect it does not compete.
Charging the battery is only possible in a separate charger, and now popular “trick” battery charging in the device from USB-bus is not supported.
In general, Olympus OM-D E-M10 we liked, because a lot of pluses in her – this interesting metal body with a high quality build, and many governments with the possibility of programming, and high-quality viewfinder, whose location and easier than in the case of competitor from Sony, and eyecup better.
Bad touch angled display. Also worth noting is extremely smart autofocus, his good behavior in low light, accurate metering work in natural light, as well as the ability to shoot rather big series at 8 frames per second and the module Wi-Fi.
[easyazon_block add_to_cart=”default” align=”right” asin=”B00HPQ0A16″ cloaking=”default” layout=”top” localization=”default” locale=”US” nofollow=”default” new_window=”default” tag=”gadgethelp-20″]However, despite the fact that the range of the camera is good, he also disadvantages exist. To begin with it is worth noting a lot of devices – the camera is fairly heavy, so no optional handle to hold it is not always convenient, save perhaps that big rubberized lug at the rear of the housing.
There are comments to menus – or rather, the complete absence of progress touch controls: touch-screen functionality is extremely weak, to the same multi-touch is not supported. However, the 6000 Sony ILCE-touch input is not provided at all. Similar claims have the module and Wi-Fi.
Yes, you can connect to your phone, but can remotely manage using a smartphone, but here in the infrastructure mode is not trained to operate the module, therefore yourself an image in a social network or mail the camera is not capable of, while its competitors and it can. In video mode hero material not keep up with main rival, and in terms of the duration of battery life holds substantial loss Sony ILCE-6000.